the beating heart (
tapeleader) wrote2020-04-02 04:39 pm
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Entry tags:
planet of love destroyed
Peter didn't want him to go. He only came out and said it once or twice. Saying anything so directly would mean being in Martin's company, the delight of which has worn off over the months. Still, he's made his disapproval more than obvious, primarily in the form of disappearing people and things that Martin needed to get here. His keys and wallet. His desktop computer at one point. His cell phone. His booking agent. One shoe, in a particularly petty pre-flight snit.
He makes one last effort halfway across the ocean, lazy and comfortable in the strange atmosphere of the economy cabin. "You don't owe those voyeurs anything." Peter hummed sleepily over his shoulder, plastic cocktail cup swirling slowly in his hand. "What do you say to landing and taking a nice, long drive out to the midwest? It wouldn't have to be a waste then. We could get some good business done out there. Really save on stress. Doesn't that sound nice..."
But Martin did learn a few things from his predecessor, and the greatest lesson he learned about Peter was that a smile and a nod were the very best way to deal with him. Once he was pacified, do as you like. Certainly, Martin will wander out of his good graces at some point. But he notes as he checks into his hotel room that Peter doesn't stop him or disappear his credit card or whisk away the attendant. He simply dissipates and drifts away and doesn't appear again until they're in the elevator of the Usher Foundation head quarters.
"You picked a fine suit, at least." He remarks of the well-fitting ensemble that Peter himself paid for early on in Martin's directorship. The gray (or is it blue?) is clean and crisp, well-cut to frame the weight he has left, colored to match the lone blue (or is it gray?) eye that preceded it by only a few months. Martin smiles and nods, and Peter lets out a great, singing sigh. "Do be careful, Martin. You're getting very greedy these days, you know. Don't let your eyes be bigger than...well. Just be careful."
His knuckles brush the side of Martin's neck, fingers comb a few cropped curls out of his collar, and Martin reaches for him--finds himself surprised by the nervousness he finds right at the top of Peter's brain. Before he can ask or look for more, the elevator door opens on his floor, and Peter Lukas is gone through the ducts.
Mr. Blackwood approaches the administrative desk alone, leather portfolio tucked under one arm, the other hand settled protectively on top of it, smile demure and eyes too-sharp as he quietly confirms that he has an appointment.
He makes one last effort halfway across the ocean, lazy and comfortable in the strange atmosphere of the economy cabin. "You don't owe those voyeurs anything." Peter hummed sleepily over his shoulder, plastic cocktail cup swirling slowly in his hand. "What do you say to landing and taking a nice, long drive out to the midwest? It wouldn't have to be a waste then. We could get some good business done out there. Really save on stress. Doesn't that sound nice..."
But Martin did learn a few things from his predecessor, and the greatest lesson he learned about Peter was that a smile and a nod were the very best way to deal with him. Once he was pacified, do as you like. Certainly, Martin will wander out of his good graces at some point. But he notes as he checks into his hotel room that Peter doesn't stop him or disappear his credit card or whisk away the attendant. He simply dissipates and drifts away and doesn't appear again until they're in the elevator of the Usher Foundation head quarters.
"You picked a fine suit, at least." He remarks of the well-fitting ensemble that Peter himself paid for early on in Martin's directorship. The gray (or is it blue?) is clean and crisp, well-cut to frame the weight he has left, colored to match the lone blue (or is it gray?) eye that preceded it by only a few months. Martin smiles and nods, and Peter lets out a great, singing sigh. "Do be careful, Martin. You're getting very greedy these days, you know. Don't let your eyes be bigger than...well. Just be careful."
His knuckles brush the side of Martin's neck, fingers comb a few cropped curls out of his collar, and Martin reaches for him--finds himself surprised by the nervousness he finds right at the top of Peter's brain. Before he can ask or look for more, the elevator door opens on his floor, and Peter Lukas is gone through the ducts.
Mr. Blackwood approaches the administrative desk alone, leather portfolio tucked under one arm, the other hand settled protectively on top of it, smile demure and eyes too-sharp as he quietly confirms that he has an appointment.
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"Yes," Jon says, suddenly and snarlingly polite. "How is Peter Lukas?" He has a suspicion that these days, Martin isn't too hindered by what Peter allows him to do.
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"What I want," Chest tight, eyes up, Martin stretches to set his mug on the table and pulls his hands demurely back into his lap, "is for we to include all of us."
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"That sounds very nice. But you know things between my Foundation and the Institute have been unfortunately frosty before, and frankly it has taken you a year to reach out. It doesn't exactly make me feel wanted." She pops her tea on the counter and mirrors Martin's pose. "Eye people are good at business, whereas followers of the Lonely favour out-of-office replies and hold music. It's a funny mix, Martin, you have to admit. How am I to trust that you'll stay balanced? I don't want to end up in a partnership with someone who won't pick up the phone."
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"I've had to spend the last year rebuilding my Institute before I could work on any bridges." On the exhale, his gaze drifts to Jon and sticks there. He'll remember the wreckage left behind by the Hunt, Prentiss storming through the place looking for him. The corners of his mouth tremble down for a lone moment of weakness. On the inhale, Martin turns his imploring look back to Elizabeth. "I'm happy to take things slow. But I am fully invested in repairing damage done. After all, I'm sure you'd like to lessen your load here as well. You've got a lot of irons in the fire, I imagine."
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He can't see what happens in Elizabeth's mind, but he knows her well enough now to hear it ticking. Nothing pleases her more than efficient outsourcing, and she likes the idea that she can get someone else to keep the Eye happy while she devotes more of her time to pollution and cataclysm.
"That's the downside of diversification," she acknowledges. She taps her manicured fingernails on her knee. "I'm not opposed on principle. I don't make business decisions based on grudges — it's petty and old-fashioned. You seem to have a similar — oh, excuse me." One of her hands flutters to quiet the soft buzzing of a phone. She pulls it from a pocket of her blazer. "Sorry. If this phone rings, it's urgent. Hold that thought."
Jon wants to change plans. He doesn't want to be alone with Martin. But there's no way to communicate that to Elizabeth now: she's in full flow. She stands and grabs her teacup in one hand, phone wedged between shoulder and ear, leaving one hand free to grab the door. "Hi, no, of course it's not a good time. Talk, please..." The door closes behind her and her voice becomes inaudible. The silence blankets them like snow.
Jon realises he's holding his breath. He exhales in a soft rush. It feels like fighting against a weight around his neck to bring his gaze up to Martin's face. He does it anyway, though it causes slight tremors of effort.
"I..." He swallows. "I didn't mean to surprise you." His voice is as neutral as he can make it.
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Martin hums to himself. He nods to Jon's statement and hums again to himself before reaching for the mug on the table. He stands, moving towards the tea cart and well enough away from Jon. "Oh, I'm. I'm sure you didn't." He chirrups. "All's well. Do, um. Does she keep sugar here, or is it some other mushroom-based sweetener?"
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With a little bit of desperation, he says, "Martin," though he's not sure what he's pleading for. He comes up off the sofa, but doesn't move towards him. "'All's well'?"
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The worst thing about the idea is the wave of relief it rolls in on. Maybe it's not Martin who's avoiding his eyes right now. Maybe this isn't happening the way he thinks it's happening. Maybe —
"Just how much baggage did that eye come with, exactly?" he asks, the question slicing and tugging like a meat hook.
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Jon's embarrassed to have nearly grabbed for him: embarrassment makes him angry, and so does everything else about Martin all of a sudden. "Oh, for God's sake!" There are high spots of fervent colour in his cheeks and the rest of his face is dead pale. "Was I not meant to ask? Am I meant to know who you are? You don't make it obvious!"
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After a beat, his hand rubs at the center of his chest, fingertips mussing the neat, dark tie. "Christ--don't do that again."
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"I'm working," he says, brow furrowed up. "I've been here for about a year. I still need to eat, Martin." It's easier to look at him now that he's gotten angry about it. It gives him a lot more willpower. He studies him fiercely. "Why — " Stopping himself, clearing his throat before the buzz of compulsion can come out. He asks, without any staticky questioning, "Why don't you know this?"
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He keeps up his study, narrowing his eyes. "If not omniscience, then what does one eye of Jonah Magnus get you?"
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His voice comes tight with the effort of not compelling. "I'd like to know nonetheless. I'd like to know what your price was."
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https://www.youtube.com/watch?v=n6sV3rA-CJI
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His voice winds tighter with each word, but the cool stays. All of Martin's careful observations, his ceaseless, affectionate watching fit together nicely now--the haze of love penetrated by his new knowledge. He shakes his head scoldingly and hammers through: "You comforted your ego by allowing Tim to join you in the Unknowing, despite Elias asking you not to. I suppose his life was a much lower price than yours."
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It's actually a relief to hear Tim invoked. His breath loosens. He's relieved to have something he can argue with sincerity, that doesn't feel like scrabbling on a wet rock face for purchase on his own motivations. "That isn't how that happened," he says, loud and flat. "There was no stopping him. I know how Tim died. I can see it, feel it, and I couldn't have stopped it.
"You haven't been with me. You've been busy. You went missing long before I did." He swallows hard, and frames it polite and vicious: "It seems we simply don't know each other very well anymore."
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He asks, "Why did you do it?" just as Elizabeth opens the door. There's no real force in his tone, but the compulsion is a roar that almost obliterates the words themselves. Elizabeth's face flickers too quick to read.
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